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| Buster Balloon (the artist formerly known as Don Caldwell) models the BalloonHQ logo Painting by Suzanne Haring. This photo from TJam 2003 shows how popular BHQ had become after its first decade of service to the balloon industry. (Also pictured: Sheena Beaverson) |
I can't believe how many hours it's taking me to write a single column. I really thought this would be an easy one that I could knock off in a few minutes. I hadn't expected to get lost reading the BHQ archive and all of the old memories. With each old post, I started wandering down another path. I found early discussions about the history of balloons, which started me on a quest to find articles I could recall from various people. I found discussions about the first T & Jam convention in 1999. (Note, there was still an ampersand in "T & Jam" that year.) That got me looking through old photos from that convention which, in turn, sent me looking up old friends that I haven't seen in a while. I found email describing my plans to attend my first IBAC. In short, I found dozens of stories I wanted to tell. Then I decided to just stick with where BHQ began. Maybe some of those other stories will be told over the course of next twelve months.
Late in 1991, when the Internet was something that only a few people had access to, I was paying my way through a college degree in computer science by performing magic, juggling, and twisting balloons on street corners and at birthday parties. Magic and juggling were easily studied by spending hours at a time in libraries or with the existing magic and juggling clubs. Learning about balloon art was quite a bit harder. A few random books existed, and I studied every one I could get my hands on. That just wasn't enough for me. I turned to the fledgling computer network. I invited other magicians and jugglers to join me by posting to Usenet (a distributed messaging system that predated today's web forums). I began pulling people together to discuss our common interest. We were building an online community for a niche field that just didn't have enough people for regular offline meetings. The term "social media" wasn't to appear for several more years, but in retrospect, we were at the forefront of the social media movement. When the world wide web developed, we transitioned to that format. We existed prior to Yahoo!, Google and Facebook. We saw MySpace come and go. This is a huge deal, when you think about it. But initially, all I saw was that I was meeting people that wanted to talk about balloons. In that niche market, we never reached the size of any of those services, but we're still here, still sharing ideas about our common interest.
We only had a dozen participants in the first year of BHQ. Today, we have several thousand. We serve as many as 500,000 web pages a month. We have a database that contains nearly 100,000 photos of balloon sculptures and decorations. Most importantly, we have an archive of every message ever sent out to the BalloonHQ community. This means that the history of our young industry has been carefully recorded for the last 20 years. The difficulty I had in learning about the art and history of balloons won't be a problem for future artists being drawn to our medium. They'll have a place to turn, both for stored information and for the friends that can help them learn the field.
I did a little digging and found the initial notes that I sent out to other networks while looking for others with interests like my own. Here are those notes that were sent to alt.magic, rec.juggling, and the very first note sent to the BHQ mailing list.
We've been working on some cool projects recently; we expect to release some new things soon. In the process, we've found that adding new features, developing software, and generally moving BHQ forward will take more man power than Sheena, Mark, and I can provide. At the heart of many of the new development efforts is a key new team member, Mike Blumenthal. Many of you know Mike already from online discussions and the various conventions he's attended. He's been active on BHQ for several years, and instrumental in setting up live jam room cams at conventions. We're looking forward to working with Mike to improve BHQ!
To kick off a new decade, we've refreshed the logo. It's been the same for quite a while.
And, we thought we'd have a little fun to celebrate the 20th anniversary of BHQ.
Some of the new projects you'll be seeing include:
As these projects roll out, we'll certainly be adding new things to the
list (and new people to the mix?). It's hard to imagine where BHQ
will be 20 years from now.
